Call Me Obi-Wan Simmons

“…. there is hope for the future. I have met them and they work.”

Oh, what a fortunate man am I.

The road from where I come to where I’m going has been ripe with as many ruts and stones and potholes, and crevices.  But it’s also, at times, been as smooth as glass, and as scenic as the grand canyon or the shores of a far way island.

What the heck am I talking about?

Perhaps I’m taking a moment to show gratitude for what opportunities I’ve been given. For the hands that helped me up when I fell, and the guides that put me on the right path.  

I’m doing that rather than lamenting or recounting the countless disappointments, accidents, poor choices, and insidiously arranged roadblocks I encountered along the way. Way too much coverage of that going on, not for the sake of accuracy, but because negativity sells – or so they say.  But that’s a subject for another time.

Considering I consider some of my early challenges I have to say that luck definitely played a part in what I’ve been able to accomplish.  And because I recognize this, I can fully embrace with great appreciation the gifts I’ve been given, and thus I’ve tried as best I can throughout these many years to give back as much as I’ve received. 

Those of you who have followed some of my exploits, know some of my history. So I’ll focus on the present.

In the latter part of 2022, I was offered an opportunity to teach a full semester of screenwriting courses, which is a fun but heavy load to some degree. I also was asked to return to a program where I’d spent eight years teaching comic art to 4th and 5th graders.  And finally, I was invited to do a series of author visits at a school in New York City. a full schedule to say the least. This latter offer came as a result of my speaking at two annual events for the National Arts & Education Association last year.

Why did I take on all of them?  

For the very reason that I said in my opening … to give back. 

Just call me Obi-Wan Simmons. 

So in January, I began teaching screenwriting to over 30 odd students (young and older adults) from around the world. I do that several days a week, and it has been a real pleasure. I look forward to continuing to help them find their individual voices and create their own cinematic visions. 

I also enjoyed the comic art classes I’ve taught, particularly watching the youngsters discover that their imagination has substance and that they are capable of doing something more than they thought they could. And realizing that what they think can be made manifest if they support and a plan.

With some of the younger kids, since I have quite a few years on them, it’s been a ton of fun telling them about certain techniques for creating comics and films in the past and how technology has changed that in the present. Sometimes we take a look at the possibilities that promise the future. 

It’s fun watching their eyes grow wide when they think of a world without computers and how we were still able to do so many things. It’s fun for me when we discover things together.

Oh, by the way, there is hope for the future. I have met them and they work. 

So as the month of January closed and February begins I’m looking towards continuing with the screenwriting courses and the older crowd. I’m also looking forward to teaching adults in a foreign country how to create comic book stories possibly about social and personal issues they’re facing in their own lives.

As I said in the beginning, I’m a fortunate soul. I’ll strive never to take that for granted. And I’ll happily continue to seek #ComicsOverChaos and #PeopleOverPolitics … and #KidsOverAllElse. 

Art is what art is.  A tool for self-expression. 

More to come. 

@AlexSimmonsSays 

www.SimmonsHereAndNow.com 

www.Facebook.com/SimmonsHereAndNow

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WHAT’S YOUR MOST POWERFUL NATURAL TOOL?

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Being raised by a single parent, in a one room apartment, on public assistance didn’t inhibit my ability to imagine that anything was possible. Perhaps it even intensified the ability. Certainly that ability lead me into my first career as … Continue reading

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Mind the Art

Salutations.

It’s been over a year since I posted thoughts, ideas, or press in this particular digital storefront window.

I haven’t been creatively dry during that time – more like adrift, periodically bobbing into project shores, and then floating back out to sea.

stormyseasI blame a heavy storm of negativity for my limited activity. Negative thoughts, people, and actions on a global scale.

It’s hard to create joy and laughter when you see an almost endless stream of tears around the world. And for me, constantly using ANGER and OUTRAGE as inspirational fuel is much like powering a family camper with nitro, or playing handball with C4.

So I step back a bit, float, contemplate, or … sometimes for too long … close the shutters.

Not productive. Not self-sustaining. Not the way I wish to meet each day.

So, I’m back.

True I will not post on a daily basis because – as I said in a post some time ago – I enjoy the doing of things. And when you’re busy participating in life, you don’t always have time to comment on same.

Still, I’ll do my best.

Jeremy BritThe late actor, Jeremy Britt once told me that at certain times in his life he’d “felt like an empty vessel.” And in order to both portray a certain role, and to just live, he had to “fill it up” with elements of life.

I believe that may be true for all of us. Certainly it is for me.

To create art, one must live life. So as I am fond of saying to friends, family, and students … go forth and be brilliant.

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KID REPORTERS & THE SUICIDAL SEAMAN! Part 3 of …

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NEVER UNDERESTIMATE A CHILD’S CAPACITY TO COMPREHEND I have to agree with The Carpenters (old singing duo) about “Rainy Days and Mondays.”  They do have a downer slant to them.  At least that’s what I felt that drizzly Monday in … Continue reading

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The Power Of Give And Get

“May the circle be unbroken…”

This line from an old hymn carries meaning on a universal level. 

This evening was one example. 

I was part of a panel of creative artists who spoke on Afrofuturism at an event sponsored by GROUNDSWELL, an organization that “…brings together youth, artists, and community organizations to use art as a tool for social change, for a more just and equitable world.”

The other members of the panel were …

Ytasha Womack, Micheline Hess, and Tim Fielder

One of the organizers of the event was program director, Jose Ortiz.   

Both Tim Fielder and I have known Jose for over 30 years. We met him as a young man through an organization called the Children’s Arts Carnival. As a teen Jose studied art there.  As a young man, he worked and eventually ran some of the programs.  And now, in a different organization, he brought me, Tim, and other artists, together … to share our knowledge with another flock of young aspiring artists.

Quite the circle. One I’m immensely proud to be part of.  

Best

Alex

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What Are the Main Elements of A Mystery Story.

Well … there are mystery stories, and then there are good mystery stories. I’ll focus on what I consider the good ones, the Who Done Its.

They consist of ,,,

Who? (Victim(s) and Criminal(s))

With what? (Method)

Why? (Motive)

How? (How was it done?)

If the writer is playing fair with this format, then there will be …

Motives (The reasons)

Red Herrings (Other suspects)

Clues (proper ones)

The story will have been presented in such a way that everything was planted so that the alert and thinking reader or audience might figure it out.

Of course, the one final element would be …

The Sleuth (The person who figures it all out)

There are different styles of mystery stories. Like the one where we don’t know the answers until the end of the story. A la, Sherlock Holmes or Murder She Wrote.

Or the type where we know who did it, but we’re watching to see how the sleuth figures it out and the culprit gets caught. A la, Columbo. Or some police dramas.

In the end, a large percentage of the elements are the same. How they’re put together determines success or failure, fiction or …”Just the facts, ma’am.”

Want to learn more about how to write a good mystery story?

Get on the waiting list for my next WRITE THE CRIME webinar.

That’s all for now.

Best,

Alex

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SIMMONS SAYS

WE ALL MAKE MISTAKES.

It’s true. Writers are human, contrary to popular beliefs and legends … in our own minds.

And this time it was an incident with one of my clients that prompted the topic in this newsletter.

While editing the client’s scripts I noticed something that I’ve come across in other scripts by some of my writing students. It’s a mistake that emerging writers make, as well as some professionals.

In several scenes, one character would make a remark, and another character would reply. But the reply didn’t really fit with the previous remark.

The reply did lead to the next moment in the story. But it did not truly sound like a natural conversation.

Often this is because the author is writing to the needs of the Plot, and not the Scene or the Characters.

As the author, you know what’s supposed to happen next in the story and so you work toward that point. But to do it properly you need to be in the MOMENT of the scene. You need to …

  • Be tuned into what the characters are talking about.
  • What they are feeling at the time.
  • What they are doing at that time and why.

Being in the moment allows you to write a more authentic scene. The conversations will sound natural because you know the point of the scene; the motive for the character’s words and deeds.

Instead of thinking of them as simply pieces you’re moving from one square to another, you’re seeing them as living beings.

When you write at this level, you’re more likely to find and add more subtleties. And this will give your scenes more depth, and your audience more reason for engagement.

For a bit more insight on this point, listen to episode #183 of Tell The Damn Story:  How To Structure Stories and Opening Scenes.

I hope this entry is useful to you, and that you enjoy the episode.

Best,
Alex Simmons

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SIMMONS SAYS

All stories start with a writer or a teller of tales.  It has been this way for countless centuries. A million stories have been told over thousands of years.  

This makes the challenge for most writers to try diligently to answer the question … What is your voice?

When you write your stories,

  • How do you tell those tales? 
  • What genre do you favor?
  • What is the rhythm of your writing?
  • What are the word choices or phrases that you tend to use more often?
  • What themes do you tend to explore?
  • More often than not, what are you trying to say?

Many of us can recognize the works of certain creatives, Maya Angelou, Steven King, Akira Kurosawa, Katherine Bigelow, Alfred Hitchcock, and Quentin Tarantino. They found their “voice” while developing their craft.

So, how do you tell your stories so that one day someone can say – “That’s So-and-So’s work! I’d recognize it anywhere!”

Want help seeking yours? Drop me a line and let me know.

Follow me on Instagram – @Simmons_Alexander

Check out these links below for SIMMONS SAYS NEWSLETTER.

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Dedication To Inspiration

Empty…or Filled with unseen possibilities?

Where does inspiration come from?. 

It can come from something you see. Something you hear. 

Something you experience something you remember. 

Something you imagine. 

Something you never dreamed possible. 

My Inspirations come from so many different places. 

My childhood. 

My family past and present. My friends my teachers, my business cohorts. 

And even the strangers that I meet at various restaurants hotels airports conventions Etc. 

The world is my Nuclear Plant of inspiration. I am never without ideas. More often, It is usually the challenge to figure out which idea is worth developing. 

Don’t judge your ideas when you have them. Like newborn babes wrapped them in blankets warm and comforting, place them in multiple bassinets of spiral paper and covers. 

Using markers and pencils. And dip into them every now and then like a wonderful romp through the Attic. Or enjoying a savory sip from a fine cast of wine or brandy.

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“Inciting Incident: The Match That Lights The Story Fuse!”

Why’d you do it?

What happened?

How could you?

What the heck am I talking about?

These are a few possible replies to an Inciting Incident.

What’s an Inciting Incident, you ask?

Well, here are a few film examples …

The final verdict will lead a young teen to freedom or execution, so when one out of 11 jurors votes not guilty, the life and death debate begins.

A young child plays merrily on his familiar neighborhood street, until the roar of an angry mob and an exploding Molotov cocktail changes everything.

On a hot, lonely, night a black stranger is arrested on suspicion of killing the most important white man in a town in the deep south.

Two loving and lonely people, each married to an unfaithful spouse, are pushed towards a growing temptation that goes against everything they believe in.

Simply put, It’s the action that sets the story in full motion.

And it’s the writer’s job to have it build up speed, ever climbing towards the inevitable climax of the tale.

To do this successfully one must be clear on the characters, the conflict, and the protagonist’s goals.

You need to know what’s happening to whom, why it matters, and what are the consequences.

Clearly exploring, defining and developing these key points will truly serve your story well. They’re the cornerstone of creating engagement, anticipation, and suspense, to name a few elements.

I’ll talk about another key component next week. For now, examine your work, or some of your favorite stories, and check out how the inciting incident is used. For extra credit, see if they use more than one.

Then shoot me an email and share your findings with us.

See ya’ next week.

Best,

Alex Simmons

Check out my newsletter, books, course and more. Click Here!

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TELL THE DAMN STORY EPISODE 162 : THE TRICKS AND TREATS OF HORROR

This week, Alex and Chris prepare for Halloween by celebrating fiction and film moments that scared them and then discussing the techniques and/or elements that made those moments work. With excerpts read and film moments recounted from:

Salems Lot, The Shinning, Stephen King, Richard Matheson, I Am Legend, “Under Her Black Wings: Women of Horror Anthology,” Burnt Offering, Grave of the Vampire, “The Aztec,” Carmen Baca, “Sarah Smiles,” Christy Aldridge. 

Click here to hear.

Have any recommendations, questions, or suggestions for this episode topics?

Then please leave them in our comments section.  Or write to us at:  TTDSOnAir@gmail.com

Alex Simmons, writer/speaker, consultant with his InkPot Award. Chris Ryan, Author of mysteries, children’s books, screenplays and novels
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Tell The Damn Story #155: How Certain Stories Can Touch The Soul.

This TELL THE DAMN STORY podcast inspired by #chadwickboseman and is devoted to telling stories that touch us deeply.  Stories in books, films and TV shows can simply entertain.  But quite often one story can get to us, and stay with us forever.
This episode co-host Alex Simmons, guest Omar Holman and I discuss stories that have stayed with us.  We also share a slew of written comments by #WaltSimonson, #MichaelWright, and others, as they add to a celebration of tales.
You are sure to find a favorite and some new things to track down in episode #155.
*By the way, is there a story that for some reason, you’ve never forgotten?  Please write down the name here in the comment section.  You can even add 1 or 2 sentences telling us a little about it.
Or leave any writing questions, challenges, or solutions you may have?
Or write to us at:  TTDSOnAir@gmail.com

Alex Simmons, writer/speaker, consultant with his InkPot Award.
Chris Ryan,
Author of mysteries, children’s books, screenplays and novels

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